Driven to Insanity...

Life is for living…to be experienced at the absolute max, like a speeding bullet, at two thousand miles an hour. Exist, but exist right on the cusp, on the limit of human endeavour, before going out in a high octane-fuelled fireball at a billion degrees Fahrenheit. That’s what I used to think, and that’s exactly how I used to get from A to B, spending most of my youth driving about with as much finesse as a scuba diver at a salsa class. And there was good reason for that.

When I was a boy one of my favourite toys was that plastic Evel Knievel which you wound up with the red and white winder before it let rip across the lounge. True to life, it would set off at pace, going some distance before falling sideways onto the carpet sending Evel sprawling under the sofa. The real Evel Knievel rarely fell on a thick pile Axminster however, which is the main reason he suffered approximately four hundred and thirty-three fractures. The other reason he endured so many breaks was that he was an unhinged whack job. Nonetheless, he was unconventional, a renegade, a pioneer…and I guess that’s why he named himself Evel. He also couldn’t spell.

But what the hell, the guy was a total frickin’ legend. He left an impression on me, and that impression was that travelling at breakneck, death-defying speed was the only way to go. Knievel’s on-screen antics had conditioned me; in my imagination I had developed the assumption that cars and bikes went significantly faster than they did in real life. I had this notion that once you planted your foot to the floor in a Renault Four it would hurtle you rapidly towards the horizon, shattering your upper vertebrae in the process. So, my calibration was way off from the start, something I disappointingly realised as soon as I was able to drive unsupervised.

My driving test was a somewhat measured affair but it was merely a sombre precursor to the unhinged calamitous shit-show that was to ensue:  a career behind the wheel that featured a veritable smorgasbord of naivety, human error, tragic decision making and a total lack of appreciation for basic health and safety. I mean, I could drive relatively adequately; I was great at operating the accelerator, just not quite as accomplished at steering or brakes. Combining all three elements was, for me, essentially a step too far.

And that’s why, when I was on the road I tended to veer about incoherently, bumping into stuff like a hungry Alsatian in a butchers. Over the years, each new car I purchased was increasingly competent. Faster even. That made them more challenging to control which only served to exacerbate my other motor-related shortcomings. I had developed an unenviable ability to destroy vehicles in increasingly unique ways; colliding with things like walls, posts and other vehicles (sometimes colliding with more than one at a time). And I didn’t discriminate….cars, vans, I didn’t care; anything was fair game. I had become a poster child for the insurance company refusal process.

The list of cars was long and predictable, from BMWs to Subarus. And a Subaru was the genesis. The first vehicle to successfully deliver the power that I had imagined as a boy. A four wheeled jewel from the Far East and a masterpiece of Japanese engineering. It was small, quick and agile and had switchgear that looked like it had been salvaged from a failed R&D project at Mattel. I tossed about in that silver tonk-wagon as if I bore a grudge against myself, driving like I was either perpetually late for somebody’s funeral or early for my own. The day I purchased that absurd hybrid between family transport and turbo-charged lunacy was a defining moment, the birth of my prolific period of driving bell-endery. As a mode of transport, it was ridiculous, being conceptually similar to strapping a jet engine to a frisbee, but it satiated that need to feel alive.

Unfortunately, it also set the standard of how I would drive every vehicle that followed; with a wanton neglect of my own welfare. Having said that, I can’t take the blame for every terrible event that I endured; other similarly inept ‘drivers’ also careered into me on occasion. Call that either karma or just good old bad luck. But, on the whole I have to hold my hands up and admit that from the Subaru to every vehicle that succeeded it, my driving was at best woeful and at worst horrifying. A benevolent, impartial observer might describe it as spectacular and, on rare occasions, nothing short of impressive.

Nonetheless, those years behind the wheel were littered with accidents, haphazard occurrences and road-related misadventures. It is a period somewhat akin to a Shakespearean ‘Tragedy on Tarmac’ and it is only by sheer fluke that I am here to tell the tale. If I had my time again, I’d probably buy a half-track and park the ‘to-hell-or-be-damned’ attitude. As for now, thankfully I no longer drive like I’m on a Hot Wheels corkscrew crash track and my co-ordination is infinitely more refined. However, my past has left me with an emotional scar, and I can sometimes be found staring wistfully into middle distance, fostering dreams of fully autonomous motoring for my children.

But it was a moment lived, and through the grace of a higher being, survived. Like Evel Knievel, my hero, I have experienced moments of exhilaration and excitement, alongside moments of sheer, heart-stopping panic. I have suffered broken limbs, unimaginable insurance costs and a bruised ego. None of them enjoyable.  Unlike my hero, I have had the good sense not to take my prowess onto two wheels. And so, the key thing I would take-away from this sorry tale is that Evel Knievel, although a deranged psychopath, was a significantly braver man than I. And the key thing you should take away is….don’t drive like I did. Remember, if you don’t have a fully coordinated team, a forty-foot artic crammed full of fire control equipment and replacement parts, and a couple of medical outriders on hand, then you’re not a stuntman.

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My Career in a Graph...

See below for an accurate, graphical representation of my career. From the graph it is possible to deduce that, despite a less than mediocre start, between 2000 and 2005 the quality of my career actually increased by 62.5%, from 20% to 32.5%. This was due to a heady mix of youthful exuberance and an open willingness to engage with others. Misguided, I continued to display those positive traits under the service of a new employer between 2006 and 2010 who exercised a less than congruent approach to my desire to progress.

A brief hiatus ensued between 2011 and 2015 where, driven by an ability to operate almost fully autonomously, and with an expense account which could dwarf the national debt of Nepal, I flourished. Encouraged by my new employer’s inexplicable desire to put their unquestioning faith in me, I travelled the length and breadth of the world rapidly evolving my career for the better. Furthermore, the upward trajectory of my prowess and skill was directly proportional to my ability to intake vast quantities of alcohol. This golden mix of newly honed experience and irresponsible ingestion of drink turned me into a plucky young buck with balls like two melons in a rucksack. Unfortunately, this wasn’t to last.

Having peaked approximately half a decade ago, my career regression has been spectacular, sliding downhill faster than Franz Klammer on coke. And now, as I peer tentatively into the abyss that is my future, I look back in bewildering confusion, wondering what happened to that promising, bright-eyed champion of personal growth. A once small boy who harboured disproportionately sized dreams. The boy with the eyes of an innocent child who only wanted the simple things, like touring the world in first, with a bottle of Krug and access to eye-watering amounts of disposable cash….

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This is Adair...

This is Adair. He lives here for better or worse. A constant, shining example of positivity even during times when the ambient mood is less than joyful. Loved by most, he is often held aloft despite his numerous faults. Amusingly, his face looks as though a child could have drawn it, displaying a perpetual, happy innocence which never wanes; never falters in its resolve. I would imagine him to be unemployable but if he were to find himself a career I suspect he’d be a weather analyst or a children’s entertainer (there isn’t much money in that though). The use of technology may prove challenging for him, predominantly due to his anatomical shortcomings. Despite this, I feel that aesthetically he has everything required to become an online influencer (feel good, light on skill)

I don’t mean to be two faced, I mean, I like him and everything but despite all his positive traits Adair can be extremely vacuous and particularly thin skinned. He is also inherently lazy, often found just lying about, only making an effort if someone really pushes him to it. It just feels a little like he’s a fraud. I generally find people who are perpetually happy, to be operating right on the lid; riding the crest of the wave of sanity and I get the feeling that Adair is no exception. He might have an air of serenity but I reckon if you push him too far, too often, he’ll turn violent and just explode.

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The world is a crowded place...

The world is a crowded place. There are over seven and a half billion of us all vying and competing to be seen or heard, all attempting to fashion an inexorable rise to fame and glory. Where before excitable dreamers were given a reality check, they can now evolve an identity unabated. For better or worse; irrespective of skill, mastery or talent.

But it wasn’t always like this. If we look back twenty or thirty years it was all very different. There was some order. In addition to the fact that there were significantly less of us on the planet, the arts had their gatekeepers; the hallowed custodians of the keys to notoriety. Despite the fact that a great number of them propagated the careers of palm greasers, narcissists and peers, they brought some structure to the arts and successfully filtered out those who didn’t have a chance.

Today things have changed. The world has a voice, a platform, a vehicle by which literally anyone can be whatever they want to be irrespective of talent, skill or expertise. And the internet is accessible to all. This coupled with a reluctance to call things out for what they are means that anyone can fashion an identity for themselves. There are now a thousand unfettered voices all shouting to be heard when before there were ten carefully curated ones.

Now, the voices of those who apply themselves and tirelessly nurture their talents are significantly less likely to be heard than before. Those are the ones that, disheartened, sink into obscurity, drowned in the sea of the multitude. So perhaps the question is whether it is better to reach the pinnacle of mediocrity and be happy, or sacrifice happiness in the pursuit of the mastery of a craft.

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Virus

Virus, another poem about our lives in lockdown has been published on:

www.inspirationinisolation.co.uk

Inspiration In Isolation

House Arrest….a poem, is currently on Inspiration In Isolation, a website showcasing creative writing in lockdown. Inspiration in Isolation can be found at:

www.inspirationinisolation.co.uk

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